Supervision

Cutting Edge offers directors and producers the support and freedom to deliver their uncompromised creative vision. Our music supervisors work closely with the creative and production team to define and deliver musical direction within the financial constraints of any project´s music budget.

Supervision services include:

  • Finding and contracting of score composers and music producers
  • Supervision of recording sessions and on-set use of music
  • Sourcing and licensing of third party pre-existing recordings
  • Negotiation with record labels, publishers, composers, artists and artist management
  • Creation of original works for a project
  • Compilation and licencing of tracks for soundtrack album releases
  • The supervisor can oversee the entire music process in post production, from "temp" score to final mix and will, in consultation with the film´s producers, negotiate all fees and rights deals with music owners.

Cutting Edge can provide inventive budget and finance solutions, diligent cost management, the widest range of contacts and marquis creative musical expertise. We use our superior buying power and extensive international music industry relationships to ensure that our clients receive the best available music for their projects.

Our music supervision team:

Maggie Rodford: Atonement, Nanny MacPhee, Veronica Guerin, Miss Potter, The Nutcracker

Matt Biffa: Harry Potter and the Goblet of Fire, Snatch, Biggie & Tupac, The Tormented, Harry Brown

Alison Wright: The Rocket Post, The Escapist, Severance, The Secret of Moonacre, Doghouse

Laura Katz: The Grey, The Expatriate, The Words, True Justice

Andy Ross: Unknown, Bullet To The Head, Super, Love Wedding Marriage, The Divide

Air Edel Cutting Edge Group